7 Facts About Jonathan Franzen, the Great American Novelist and Author of “Crossroads”
09/03/2025
Fall marks the arrival of great authors, new releases, and highly anticipated books. Kicking off this season is Jonathan Franzen’s latest novel, “Crossroads”. Before you dive in, here are 7 facts about this acclaimed American novelist:
Almost Pulitzer-Winning
Franzen’s novel “The Corrections” won the National Book Award in 2001 and was also nominated for the Pulitzer Prize.
Face of Time Magazine
In 2010, Franzen appeared on the cover of Time as “The Great American Novelist”—a rare honor for a contemporary author.
Oprah vs. Franzen
While Franzen’s novels “Crossroads” and “The Corrections” were selected for the Oprah Winfrey Book Club, he famously declined Oprah’s invitation, reportedly because he didn’t value the recognition.
Passionate Ornithologist
Franzen is an avid bird enthusiast. He can identify species by region and country and is an active environmentalist.
Omelets & Butter
The author loves omelets because, in his words, they are “a great platform for butter”—a reminder that even literary geniuses enjoy simple pleasures.
A “Crazy” Decision
Franzen once considered adopting a child orphaned by the Iraq War but later called the idea “crazy” and decided to dedicate his time to teaching instead.
The Return of the “Great Novel”
Franzen is a leading figure in “post-postmodern realism,” known for creating expansive, ambitious novels that stand out in contemporary American literature.
Jonathan Franzen
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Description
December 1971. A brutal Midwestern winter gathers over Chicago. Parish priest Russ Hildebrandt is on the verge of ending an unhappy marriage—unaware that his wife, Marion, is equally exhausted by its monotony and guarding secrets of her own. Their eldest, Clem, returns from college with a decision that will upend his father’s certainties. Becky, the high-school queen, is swept into a fervent spiritual quest. Perry, dealing drugs to junior-high kids, resolves to change and become someone better.
In the Hildebrandt home, each person reaches for freedom, and each blocks the others’ way. With this single family as his lens, Jonathan Franzen captures the exhilaration and disorder of 1970s America—the rising tide of idealism set against a deepening moral unease. This is a novel about love and estrangement, about fathers and sons, about the patterns children inherit and resist, and the wounds relatives inflict through indifference. At life’s crossroads, the cost of freedom is bitter, yet the possibility of grace endures. Life is messy—and, somehow, wonderful.
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